Haydn used the symphony as a vehicle of emotion, which intensified when Beethoven took on the symphony. Because Beethovens Eroica tells that story in music, not words, it presents that truth in its purest, most universal form. 1 in D major, Op. Despite the general opinion that the early and much shorter Op. The second movement isa fast, maniacal scherzo,full of Prokofievs characteristically sardonic sense of humor. The music zigs and zags unpredictably, as if the orchestra is engaged in an elaborate game of cat and mouse. 7, Orchestre Rvolutionnaire et Romantique/Gardiner, The best recordings of Berlioz's Symphonie Fantastique, The love story behind Berlioz's Symphonie fantastique, Royal Concertgebouw Orchestra/Mariss Jansons, Listen to our 20 Greatest Symphonies of all time playlist. Thats surely the hub of a Gramophone review. 1999-2022 ClassicsToday.com. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Nothing revelatory takes place in the well-known Classical Symphony, other than customary clean execution. Favorite Prokofiev works and best recording of his symphonies? Its even been dubbed Brahmss Pastoral. The finale, as it starts, is very fast, quite exhilarating, with orchestral virtuosity on display. Absolute Ensemble; Lower Austria Tonknstler Orch / Kristjan Jrvi, A thrilling account of Bernsteins rediscovered Mass, Fascinating rhythm in two iconic American scores, Sols incl Marilyn Horne; Met Op, New York / Leonard Bernstein, Carmen, Bernstein-style: swaggering, charismatic, Harnoncourts Brahms is idiomatic, though theres plenty of fascinating musical exploration, The legendary Russian maestro does Brahms, Power and elegance go hand in hand with Giulinis Brahms, with the VPO on terrific form, Incandescent, elemental playing from the Berliners under Furtwngler, The great partnership of the Vienna Phil and Giulini caught at its finest, For many the Haydn Variations are the jewel here, richly characterised, superbly varied, Julius Katchen pf LSO / Pierre Monteux; Jnos Ferencsik, Awesome virtuosity and highly sensitive playing, Soloist and conductor at their peaks, an old favourite, Old-school conductor meets brilliant young soloist, David Oistrakh vn Cleveland Orch / George Szell, The king of violinists on scintillating form, Wolfgang Schneiderhan vn Jnos Starker vc Berlin RSO / Ferenc Fricsay, Rubinstein the veteran joins the young Guarneris, Heifetz as ever is technically brilliant but wonderfully songful here, too, Revelations pour over each other from one of the great Brahmsians of our day, Charlotte Margiono sop Rodney Gilfry bar Monteverdi Choir; ORR / John Eliot Gardiner, Elizabeth Schwarzkopf sop Dietrich Fischer-Dieskau bar Philh Chorus; Philh Orch / Otto Klemperer, Juggernaut power in Klemperers famous recording, The third quartet here was written for these players, and they play superbly, Sols incl Jon Vickers; Royal Opera / Colin Davis, Britten hated Vickerss Grimes, thousands loved it, Highly charged, romantically intense Bruckner, Jochums Eighth is his weak point but Karajans radiates warmth and splendour, Vivid performances of this rarely heard masterwork, Amazing playing and bold insights go hand in hand with Pletnev, Scintillating expressiveness in a recording that is part of gramophone history, Theres mystery as well as clarity in Boulezs La mer recordings, Theres a compelling intensity of character to these dazzling performances, De los Angeles caught in Debussy and Faur, Pellas meets Wagners Tristan in this controversial (to some, overheated) reading, Tortelier commands the demands of Dutilleux, By turns explosive and searchingly lyrical, Kertszs is the classic Dvok set, Neumanns rival to Kertsz features terrific playing, Georgeously lyrical and integrated playing from the Beaux Arts Trio, Restless, probing interpretations in the composers knowing hands, Essential for Elgarians, two inspired performances, Monteuxs famous Enigma with LSO forces still feels fresh and revealing, Sols incl Janet Baker; Hall Orch / John Barbirolli, Janet Baker is magnificent in this moving Gerontius, A starry reclamation for Enescus epic opera, Theatricality abounds in this Spanish journey, Faurs choral works reimagined for boys choir and organ, Intimate music-making from du Pr and Barenboim, A spectacular, heartfelt Vietnam memorial from Copland pupil Elliott Goldenthal, Leon Fleisher pf Cleveland Orch / George Szell, For many, the finest accounts of these works, Alert, alive and light-footed, Manze and the players clearly have a ball, Rich-toned recordings from the Musikverein, A fine example of the music of French electronic-school composer Pierre Henry, Sols incl Dietrich Fischer-Dieskau; Munich RO / Kurt Eichhorn, Brilliant playing in a set often unfairly overlooked, Sols incl Lucia Popp; VPO / Charles Mackerras, Mackerras is incomparable in this repertoire, A Sei Voci explore Josquin for the Nave label, Barry Tuckwell hn London Sinf / Oliver Knussen, Bewitching music from composer Oliver Knussen, Kodly was a great Jnos Starker admirer and the cellist here shows why, Korngolds film score turned into a tone-poem and evocatively conducted by John Mauceri, A fine display of intense, mesmeric contemplation, Hans-Peter Blochwitz ten Budapest Fest Orch / Ivn Fischer, Brilliantly alert, with a touch of Satanic wit, Beauty, power, excitement and lyrical singing, Brendel brings dignity and tension to Liszt, Bernstein in earth-shaking form with the Israel Phil, Kubelk, one of the first and among the finest Mahler advocates, Bernstein again, this time with the polish of the New York Philharmonic, Judith Raskin sop Cleveland Orch / George Szell, Deep feeling in one of Szells finest hours, A Bernstein pupil in dramatic vein and great sound, Bernstein had to persuade the Austrians to love Mahler, with fabulous results, Kubelk in the studio is great, live hes even better, A deserving Gramophone Record of the Year, Violent intensity and sweetness in Rattles Vienna Mahler Ninth, Passion and commitment in Rattles overpowering championing of Mahlers Tenth Symphony, Janet Baker mez Hall Orch / John Barbirolli, Includes the classic Rckert-Lieder recording, Mlkkis showcase for the young French composer, Messiaens own favourite recording of this work, Music of devotion and playing of simply stunning virtuosity, Sols incl Jos van Dam; Hall Orch / Kent Nagano, Messiaens only opera and his magnum opus, Ennio Morricones seminal music from the 1986 Jeremy Irons film, English Baroque Soloists / John Eliot Gardiner, Dramatic accounts of the last two symphonies, Impassioned advocacy of these popular concertos, Geza Anda, Clara Haskil pfs Philh Orch / Alceo Galliera, Dennis Brain hn Philh Orch / Herbert von Karajan, Flawless solo playing in the classic recording, Two great pianists, one great sonata captured at Snape Maltings, Sols incl Stephan Schreckenberger; Le Concert des Nations / Jordi Savall, Savalls intimate reading of Mozarts final work, Sols incl Elizabeth Schwarzkopf; Philh Orch / Karl Bhm, Bhms finest Mozart opera set, with a dream cast, Sols incl Rodney Gilfry; English Baroque Soloists / John Eliot Gardiner, An energetic interpretation, as compelling as any, Sols incl Joan Sutherland; Philh Orch / Carlo Maria Giulini, Giulinis Giovanni grand and theatrical, Sols incl Anne Sofie Von Otter; English Baroque Soloists / John Eliot Gardiner, Sols incl Werner Hollweg; Zrich Op / Nikolaus Harnoncourt, The 1781 version played for dramatic intensity, Sols incl Bryn Terfel; English Baroque Soloists / John Eliot Gardiner, Sols incl Simon Keenlyside; Concerto Kln / Ren Jacobs, Jacobss conducting is sparkling and mischievous, Sols incl Kiri te Kanawa; LPO / Georg Solti, A starry cast bristles with theatricality, Soltis best-loved Mozart recording, a Zauberflte to crown his career, USSR State SO, Russian Federation SO / Evgeny Svetlanov, Svetlanov rescued these symphonies from neglect, The bright young things genre-defying collection of miniatures, As unique as they are unpredictable, these studies are revelatory ear-openers, Every detail can be heard with razor-sharp clarity on this supreme disc, Estonian Philh Chbr Choir; Estonian Nat SO / Tnu Kaljuste, Exhilaration, piety and lamentation mingle, A powerful testament to the expression of faith, The blazing live performances that won Gergiev his job at the helm of the LSO, Martha Argerich pf Montreal SO / Charles Dutoit, Argerichs response is utterly personal and vivacious, Sviatoslav Richter pf Warsaw PO / Witold Rowicki, Sizzling account of a difficult-to-pin-down concerto, An exciting live recording from Amsterdam, featuring a young Anna Netrebko, Sols incl Luciano Pavarotti; BPO / Herbert von Karajan, A grand Bohme, with Pavarotti and Mirella Freni, Sols incl Maria Callas; La Scala, Milan / Victor de Sabata, One of the greatest achievements on record, A fine recording, immaculately delivered, and boasting some exceptional soloists, Sols incl Sarah Connolly; OAE / Elizabeth Kenny, Steven Devine, Connollys exquisitely sung Dido leads a great cast, Glorious playing and wonderful, expansive conducting from a true podium master, Zoltan Kocsis pf San Francisco SO / Edo de Waart, Fast, light, incisive Kocsis is on top form, Phenomenal virtuosity from Kissin with Ozawa, The first virtuoso pianist-composer of the recording era: these discs remain fascinating, Robert Shaw Festival Singers / Robert Shaw, Shaw coaxes great warmth from his singers, A great Baroque conductor meets a great composer, A compelling work that beautifully captures the Finnish composers evocative sound world, Samson Franois pf Paris Conservatoire Orch / Andr Cluytens, Franois plays with tremendous vitality and spirit. Prokofiev Symphonies 6 and 7 DECCA 443 325-2 [LW] Classical Music Thinking about this, I composed a new finale, lively and blithe enough for there to be a complete absence of minor triads in the whole movement, only major ones. Prokofiev: Symphonies Nos. 1 - 7 (page 1 of 1) | Presto Music A new 22-disc set revisits the music of Diaghilev's legendary ballets. 3, 10 Times Classical Music Starred in Movies. From the off Ashkenazy has the advantage of the Cleveland Orchestra. It was as if all of usincluding Prokofievhad reached some kind of shared turning point.. Shortly after his 26th birthday in April, he determined to find some green spot where I could both work and walk during the summer months. [L]ook how he will not let even Mozart lie quiet in his grave but must come prodding at him with his grubby hands, contaminating the pure classical pearls with horrible Prokofievish dissonances, he imagined them saying. Slatkin is nearly as good, though his strings do not sound as full as Ashkenazys; Gergiev is also terrific, but let down a bit by the dry and congested Barbican recording; and Inkinen is not quite at the same level of execution and with tempos not as steady. But on this occasion Ill happily endorse it. A contrasting middle sectionappears with a more lyrical melody in the woodwinds. The finale is also problematic in how the conductor treats it, either as a happy ending or something darker. Symphonies - two juvenile: Symphony (1902) and Symphony (1908) Symphony No. I did have a few reservations about Alsops, mainly her tempo variations in the second movement with her headlong rush to the end. The improved sound of this issue makes this certainly one of the better accounts of this still misunderstood masterpiece. ', Jean-Efflam Bavouzet pno BBC Philharmonic / Gianandrea Noseda (Chandos), 'Bavouzet displays a light touch and laudable levels of physical stamina, with a firm grasp of the very different personalities of each piece. For the most part, however, musical life continued undisturbed, and Prokofiev composed, practiced and went to concerts and rehearsals as before. The Second is powerful, grim and almost wanton in the first movement, abounding in thrills and drama. Beethoven gives the entire work a remarkable cohesion by referring to that opening rhythmic motif at key moments, for instance by the horns in the penultimate Scherzo movement, recalling it in the finale. The whole thing is wrought from the brilliantly simple notion of a not-quite-finished tune (first heard on cellos) that continually strives for completion, and each time goes off in some fascinating new direction. Recommended recording: Mahler Chamber Orchestra/Marc Minkowski DG 474 2092, A visionary masterpiece combining the spirit of JS Bach with Beethovenian energy. I recently got into Prokofiev, and need recommendations for recordings of his symphonies to listen to. The Soviets were pushing back the Nazis from their borders, and the US and British Allies had landed on the beaches of Normandy in June. The Third Symphony comes across as driven and menacing, with even the lyrical themes in the first movement sounding tortured and darker than usual. I was hugging myself with delight all the time I was composing it!. 47 version of the Fourth is better than the Op. To be honest I'd always hated his music, mostly because of over-hearing the 1st Symphony. This list may not reflect recent changes . Rozhdestvensky's Sixth is a compelling rendition, though the first of the two climaxes in the first movement development section could be a bit more powerful. Under the stress, his first marriage collapsed, and he began an affair with the woman who would become his second wife, Mira Mendelson. Scored in one 22-minute-long movement, originally christened Fantasia sinfonica, Sibelius wrote his Symphony No. As the orchestra grinds to a haltreminding me of a locomotive slowing downand the second subject of the first movement reappears, the power of the full orchestra is palpable. Your email address will not be published. Browse: Prokofiev - Symphony No. 6 in E flat minor, Op. 111 - Presto Music The movement ends just as it began with the return of the introductory measures. 4 (Prokofiev) Symphony No. I especially love his Sonata for Two Violins in C, and the Violin Concerto No.2 in G Minor. Prokofiev's Symphony No. Ashkenazys Seventh is no less fine. 7. 2 (Prokofiev) Symphony No. 4, 6 & Movement from Symphony in G. Bournemouth Symphony Orchestra, Kirill Karabits. Webmaster One last themethen appears in the violins and brass, followed bya skittering figurein the strings. Still, it's a fine account. Privacy Policy. Editor in Chief Finale: Molto Vivace. I'm planning to purchase Janine Jensen's recording of these 2 works and Violin Sonata No.1 in F Minor, all on a single CD. No. ', London Symphony Orchestra / Andr Previn(Warner), 'It is marvellous ballet musicby a virtuoso orchestra and conductor and, frankly, you won't go wrong with this version', Mstislav Rostropovichvc / Royal Philharmonic Orchestra / Sir Malcolm Sargent (Warner), 'This account of the Sinfonia concertante, coming from the heat of the concert hall, is absolutely electrifying, its high voltage matched by strong expressive character..', Mstislav Rostropovich pno/ Royal Philharmonic Orchestra / Sir Malcolm Sargent (Naxos), 'Piano Concerto No. Recommended recording: Royal Concertgebouw Orchestra/Riccardo Chailly Decca 466 6532, Written during a happy summer near the Rhine, Brahmss concise Third was inspired by the motto free but happy, From contentment to passion, emotion wells up and subsides in music of yearning, bittersweet beauty and each movement ends quietly rare for symphonies of this time. The Sixth and Seventh also share characteristics: both are tragic works, though the latter might more properly be called valedictory. Get tickets and more info athoustonsymphony.org. In 1925, the USSR began a charm campaign to lure Prokofiev and other expatriate artists back to Russia. S Symphony No. Rozhdestvensky uses the original ending in the Seventh, which is always a wise decision. There are many composers in recent years who have written works to commemorate an event, honor a person, or call attention to an important contemporary, Baruch Performing Arts Center, 55 Lexington Avenue, New York; April 12, 2023Now coming up on its 10th year, the innovative, sometimes revolutionary, relevant Heartbeat Opera, Carnegie Hall, NY; March 23, 2023Richard Strauss famously said I may not be a first-rate composer, but I am a first-class second-rate composer. Vaguely opaque, Ullmanns Kaiser: Still, And Forever Relevant, Heartbeat Operas Sinister, Close Look At Lady Macbeth, Nature Wins In Strauss Daphne At Carnegie Hall. Exclusive music reviews and news, created specifically for classical music listeners, from the serious collector to the inquisitive newcomer. I am quite happy that I now have two excellent recordings of the cycle. 11 of the happiest pieces of classical music ever written Has Ravels score ever sounded quite as ravishing? The second movement is a more relaxed Larghetto. Looking forward to hear from you all. Collection features almost all the music Serge Diaghilev's Ballets 40 (1925) Symphony #3 in C minor, Op. In his diary, Prokofiev noted that he scrapped the original finale he had written for the symphony because it seemed to me too ponderous and not characterful enough for a classical symphony. His friend, the composer and musicologist Boris Asafyev, put into my mind an idea he was developing, that there is no true joyfulness to be found in Russian music. Perhaps, but it is great fun all the same. If you are a library, university or other organisation that would be interested in an institutional subscription toGramophoneplease click herefor further information. Could that be something to do with the performances combination of rarefied atmosphere and textual transparency, edging Tristan just a little in the direction of Debussys Pellas? Well recorded, Neeme Jrvi is a routine rather than inspired partner. 111 (1947) Symphony #7 in C Sharp minor, Op. The 15 most famous tunes in classical music The 15 greatest symphonies of all time The 4 eras of classical music: a quick guide . Len Mullenger, Sergei PROKOFIEV (1891-1953) 1 in D major Op. While in the United States, he went to see Disneys newly releasedSnow White and the Seven Dwarves. List of compositions by Sergei Prokofiev - Wikipedia Here absolutely everything goes right. But which of the thousands of symphonies written over the centuries is the greatest? For years the clear recommendation has been Neeme Jrvis masterful traversal with the Royal Scottish National Orchestra on Chandos, but the re-release of these barely-remembered Vladimir Ashkenazy performances gives that long-prized set a new run for its money. 8; Overture on Hebrew Themes Op. But my true friends will see that the style of my symphony is precisely Mozartian classicism and will value it accordingly, while the public will no doubt just be content to hear happy and uncomplicated music which it will, of course, applaud. On that account he was exactly right; with its impish sense of humor, impeccable craftsmanship and charming melodies, the symphony was a breath of fresh air, and it has remained one of the composers most popular works. Three of these conductors take a very fleet initial tempo, where the strings articulation can suffer at that speed. Harp from In another inspired touch, Beethoven uses the rhythmic motif as a subdued timpani pulse which links the Scherzo to the glorious blaze of the finales opening. The ending of the movement is exciting with an accelerated, but not rushed, tempo. Many of the worlds great myths tell of a hero/heroine who strives, fails, dies and then miraculously returns. Recommended recording: Orchestre Rvolutionnaire et Romantique/Gardiner SDG SDG702, The French composer Berlioz takes the symphony into a new realm of reverie and imagination. None of the four in my comparisons are of that persuasion, but the key is to make the last four notes clear enough to hear their articulation while retaining a deliberate speed by transforming the conclusion into a juggernaut. What is the difference between a concerto and a symphony? A Modern Classic: Prokofiev's Classical Symphony However, in the swifter sections, such as the Sevenths frenzied second-movement Piu animato and the same symphonys lively fourth movement, Ashkenazy lets it all hang out, and listeners should brace themselves for quite a ride. But where a performer incorporates those experiences into an interpretation, we have to write about them, though there are plenty of verbally eloquent musicians around Alfred Brendel, for example. 5 (Prokofiev) Symphony No. 5 in B-flat major Op. When Brahms came to compose his own First Symphony, pressure was extreme. Although he had some idea of the restrictions placed on artists, he still genuinely believed he would be more appreciated and have greater opportunities in Russia than in the West. I recall Eugene Ormandys second Philadelphia accountthe one in stereowhere the slower tempo really told. More significant, however, was his overall approach to the symphony. 7 in C-sharp minor Op. To this day his symphonies are viewed as brilliant models of how music can express the most powerful of human feelings, in ways that even words cant emulate. Throughout, Prokofiev wittily juxtaposes his own daring musical language with typical melodic turns and gestures from Mozarts time. By continuing to browse the site you are agreeing to our use of cookies. Prokofiev: Symphonies Nos. 1, 5, 6 & 7; Autumnal; Overture on Hebrew Themes From those first two electrifying orchestral chords to the final victorious timpani flourishes it never puts a toe wrong. That it doesnt in any of them is testament to the virtuosity of the respective orchestras. Sergei Prokofiev's Symphonies were brilliantly performed and recorded for a legendary project of Firma Melodiya of 1965-1967 by the Moscow Radio Symphony Orchestra of the USSR conducted by Gennady Rozhdestvensky. The fillers include the composers early mysterious Autumnal fragment and an idiomatic reading of the chamber version of Overture to Hebrew Themes, both incidental and somewhat out of place among these symphonic monuments. I possess vinyl discs of this performance of #2 on both Everest and Melodiya that seemed to suggest that the other symphonies, which appeared on Melodiya/Angel in the 1960s, had somewhat different miking and better balances. Prokofiev's best symphonies, the Fifth and Sixth, are fantastic in both sets. In place of the usual minuet that Mozart would have written, Prokofiev substitutes a different eighteenth-century dance for the third movement: a gavotte, which is typically in a 4/4 meter and begins with two prominent upbeats. In the crushing first-movement climaxes, audiophiles also will be pleased with the substantial weight in the percussion and the clearly audible tam-tam crashes that can literally make or break recordings of this work. Which is the best-ever symphony? And what of Jean-Efflam Bavouzet choosing Carlos Kleibers Tristan over, say, Furtwnglers? 112 (Second Version), Symphony #6 in E Flat minor, Op. 5 on October 26, 28 & 29, 2017. No wonder it went down well at the premiere, with the critic Eduard Hanslick declaring it an unqualified success. 1 - 7. The melodies conflict with each other, becoming increasingly tumultuous. Prokofiev then invited the Commissariat to the rehearsal of his new symphony, the premiere of which at last took place in April 1918. Cookie Notice Ashkenazy chooses a moderate tempo for the first movement and his wonderful strings suit the lyricism of the music, but he does not shortchange the whimsy either. Prokofiev - The Symphonies n1,2,3,4,5,6,7 - YouTube Prokofiev: The Symphonies - BIS: BIS2594 - Presto Music Music that stirs, challenges and delights, a sense of vibrant musical form which ensures coherence yet remains elastic enough to admit the most acute human drama surely thats enough? By genre Operas. Dont miss the Houston Symphonys performances of Prokofievs Symphony No. 57,903 reviews But the door opened for me with Valery Gergiev's recording of Prokofiev's symphonies with the LSO. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Gramophone is brought to you by Mark Allen Group Ive sometimes wondered whether when certain musicians review recordings, either privately or in print, they harbour an unconscious agenda, justifying their own technical weaknesses by promoting the idea of musicianship that matters so much more than technique. Just think of it, to be cutting diagonally right across the Pacific ocean! All right, just fill in this form and well give you the necessary papers., Prokofiev then invited the Commissariat to the rehearsal of his new symphony, the premiere of which at last took place in April 1918. Ashkenazy, who successfully recorded Cinderella, excels here. 1 'Classical Symphony', op. the faux-classical dances Tchaikovsky wrote for, Hallelujah for Handel! Sergey Sergeyevich Prokofiev Symphony No. The main advantage, he explained, was that the farm would provide delicious and wholesome food, whereas most dacha-dwellers [a dacha is a kind of small summer house in the countryside] from Petrograd were finding it literally hard to find anything at all to eat. It was in this island of tranquility that he would compose one of his best-loved works, his Classical Symphony. Three generations of Prokofievs have recorded the work: Lina Prokofiev, the composer's widow, was the first, in 1986, and a remarkably feisty and engaging reading she gives too, with a voice that belies a lady then in her 89th year (she died in London aged 91 in 1989). 151 of the world's leading conductors voted for what they thought to be the greatest symphonies ever written, Its a classic rags to riches story. Thats one of the bonuses of talking to artists who are eager to share their responses to great recordings: you suddenly understand so much more about how their minds work, musically speaking, because by imagining those performances in your minds ear, youre communing on a level beyond the reach of words. Being a musician is not the same as being a performer: there are many competent amateur players who lack even an iota of musicianship, while attentive listeners who arent endowed with the technique or the coordination necessary to achieve an adequate performance often feel the music more acutely than those who actually play it. 7 in C sharp minor, Op. 'Piano Concerto No. This site uses cookies. May 1993, Severance Hall, Cleveland, USA Top 10 Prokofiev recordings | Gramophone 40 combines elegance and unease, its dark opening yielding to calmer waters, only to return to despair. From my original finale I salvaged only the second subject. Andrew Litton on Prokofiev | Presto Music One thing you can't complain about here is the quantity of music offered: disc one clocks in at 78:58, disc two at 80:06, and disc three at 70:04. Classical Net Review - Prokofieff - Complete Symphonies Rgine Crespin at her idiosyncratic, seductive best, Reichs response to the tragic human cost of war is authoritatively performed, An equally moving response, the Smith players recording is paired with another minimalist classic, A conceptual exercise that created a work of surprising musical beauty using mobile ringtones, Alfred Cortot pf Paris Conservatoire Orch / Charles Munch, Delicate poetry and an astonishing conclusion, Salonens celebration of architecture and nature incorporating Frank Gehrys voice, Salzburg Camerata; Salzburg Mozarteum Orch / Sandor Vgh, Kleibers laser-like concentration brought to bear on Schuberts Eighth, Showing why Mravinsky is one of the greats, An archive alternative to the famous DG recording, Furtwngler pushes forwards with excitement but also with an awareness of the works architecture, Orrea Pernel, Jacob Krachmalnick vns Karen Tuttle va Pablo Casals, Madeleine Foley vcs, Clifford Curzon pf Members of the Vienna Octet, Excellent balance between strings and piano, super-sensitive playing from Gilels, An individual reading from Hephzibah Menuhin, A splendidly clear yet atmospheric recording, A fascinating document of a live Britten recording, Two pianists reveal the musics innermost secrets, A legendary partnership is profoundly satisfying, Dietrich Fischer-Dieskau bar Jrg Demus pf, Fischer-Dieskaus third recording of Winterreise, Dietrich Fischer-Dieskau bar Gerald Moore pf, A powerful portrayal from the great baritone, Gottfried Hornik narr VPO / Claudio Abbado, Abbado harnesses the visceral impact of this work, A winning combination of scholarship and insight, Szells typically classical approach produces a full, natural orchestral sound, Dietrich Fischer-Dieskau bar Christoph Eschenbach pf, Fischer-Dieskaus experience shows in every bar, Bostridge interprets all these songs as much through the mind of the poet as the composer, Fischer-Dieskau is the master of this repertoire, Sofronitsky was so associated with these works, he was even married to Scriabins daughter, The Sixteen shed light on a neglected genius, Mravinsky premiered six Shostakovich symphonies and that frisson is conveyed here, Sanderling highlights Shostakovichs dark intent, David Oistrakh vn Philadelphia Orch / Eugene Ormandy, NYPO / Dimitri Mitropoulos, Another intense Oistrakh Shostakovich No 1, The Borodins no-nonsense, uninhibited approach suits this diverse work perfectly, Daviss second Sibelius cycle yielded this utterly convincing and natural recording, Kleiber picked his operas carefully and this is a flamboyant treat, One of Karajans signature, and most refulgent, BPO recordings, Elizabeth Schwarzkopf sop Berlin Rad SO / George Szell, For some, this recording will never be surpassed, Gundula Janowitz sop BPO / Herbert von Karajan, Strong competition for the Schwarzkopf classic, Sols incl Gwyneth Jones; Bavarian Staatsoper Orch / Carlos Kleiber, An iconic Rosenkavalier from Carlos Kleiber, Sols incl Rgine Crespin; VPO / Georg Solti, Solti knew Strauss and stamps his authority here, Lively, stylish and individual, Ansermets Stravinsky was always an event, Unbelievably intense power comes from Rattles attention to the tiniest details, Precision and seismic power from Boulez and the Cleveland Orchestra, Gergiev makes you listen anew and finds elemental fury, This album enshrines perhaps the finest Spem in alium on record, Superbly gripping Tchaikovsky from Markevitch and his London forces, Slavonically intense, sometimes at breakneck speeds these are old favourites, The Vienna strings are exceptional for Gergievs full-bodied Pathtique, Emil Gilels pf State Academic SO / Evgeny Svetlanov, A star pairing to reinvigorate a great warhorse, Discover a brilliant but often-overlooked cellist, A marvellously consistent recording of this tricky but volcanic opera, Impressive performances of an Estonian composer, No one conjured the terror of the heavens in this work like Toscanini, Sols incl Elisabeth Schwarzkopf; Philharmonic Orch / Carlo Maria Giulini, A profoundly spiritual reading from Giulini, Sols incl Jos Carreras, Mirella Freni; BPO / Herbert von Karajan, The four-act version, with Karajan on fire, Pavarotti enjoys himself in Ponnelles sumptuous film, but Ingvar Wixell is a blistering Rigoletto, Sols incl Ileana Cotrubas, Plcido Domingo; Bavarian St Op / Carlos Kleiber, Textual cuts are the only blot on a moving Traviata, A benchmark recording of the Victoria Requiem from Peter Phillipss Tallis Scholars, Enrico Onofri vn Il Giardino Armonico / Paolo Grazzi, Joseph Silverstein vn Boston SO / Seiji Ozawa, One of the finest versions of this perennial work, Sols incl Domingo, Fischer-Dieskau, Deutsche Oper Orch / Eugen Jochum, Fischer-Dieskau is humane and moving as Hans Sachs, Staatsakapelle Dresden / Herbert von Karajan, Karajan coaxes glorious sounds from his players, Sols incl Peter Hoffmann, Dunja Vejzovic, Kurt Moll; BPO / Herbert von Karajan, One of the great archive finds of recent years, A spectacular and dramatic interpretation, all Ring-lovers will want this in their collections, Sols incl Birgit Nilsson; Bayreuth Fest Orch / Karl Bhm, Nilsson in incandescent form, live at Bayreuth, Sleek conducting underpins a seductive Tristan, Jascha Heifetz vn LSO / Sir John Barbirolli, Wieniawski-champion Heifetz presents an ardent case, Elisabeth Schwarzkopf sop Dietrich Fischer-Dieskau bar Gerald Moore pf, Features both singers at the peaks of their career, Committed performances from Tamayos Luxembourg forces, Ysae playing his own recordings a real collectors item, A penetrating look into the heart of this composer, Sols; Holland Symphonia / Bernhard Kontarsky, A lovely collection celebrating the brilliant Heifetz protg, beautifully recorded, The great cellist meets Bobby McFerrin in this fabulously unique album, Hard-to-categorise improvisations by the German pianist, The unique Maria Callas caught at her most histrionically impressive, Purcell Consort of Voices / Grayston Burgess, An uplifting example of the Consort at their best, A rich anthology presented with soul-stirring animation, Superb New Years Day concerts from Vienna under Carlos Kleiber, Ancient chant meets jazz-style improvisation in this remarkable disc, A wonderfully compiled and performed medieval music survey, Wit and imaginative richness from the inter-war years.
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