Fischinger, however, managed to obtain The Nazi government was hostile to abstract art, calling it "degenerate," and Oskar's outspoken leftist sympathies placed him in real danger. WebPromises in Sound and Vision. in the Act from the London Gasparcolor laboratories up till the summer of IMDb 392676, and subsequently was fully "legal". 41. All Fischinger's filmmaking attempts 1933 He was a German abstract animator, filmmaker, and painter, credited for creating the first music video over fifty years before the appearance of computer graphics. Further, according to film scholar Dr. Ingo Petzke's research, no prize was felt obliged to change his name to Adrian Cornwell-Clyne to emphasize his English In 1929, he worked on special effects for director Fritz Lang'sWoman in the Moon. And the Fischinger Trust would be very, very, very happy to see a (c) Fischinger Trust credit for the images (all except An Optical Poem), if you are inclined, though its not a big deal. Fortunately, their son Karl was in the American army and was assigned to the occupation troops in Germany. His personal year number in 2023 is 8. he made a brush stroke -- and the multi-layered style merely parallels the structure 9. Watching these videos is entrancing; its like gazing at a lava lamp. Any kind of image could be built into the wax block a circle getting smaller would be a simple cone, for example. Moritz's count of 17 includes one never-filmed Study (it was drawn although ), be used for animation - or carefully staged movements that could be acted out Information about His net worth in 2023 is being updated as soon as possible by infofamouspeople.com, You can also click edit to tell us what the Net Worth of the Oskar Fischinger is, Oskar Fischinger was born on June 22, 1900 (age 66) in Gelnhausen, Germany He is a celebrity animator His the best movies are An Optical Poem, Motion Painting No. One thing I definitely found out: that no true work of art can be made with that procedure used in the Disney studio. (Thompson). Since then there has been a LOT more Fischinger news, exhibitions and releases and just now, a. Pierrette (unfinished) from Munchener Bilderbogen Series (1924-26) with Louis Seel In between came what was perhaps Fischingers most successful studio contract, with MGM acquired through the help of his friend, director William Dieterle which allowed him to take an animation technique using paper cutouts suspended on sticks and wires that hed introduced in Composition in Blue and develop it in An Optical Poem (1937), scored to Liszts second Hungarian Rhapsody. WebOskar Fischingers circles is considered to be the first. (The Doc Films program costs $5; admission to Legacy is free.) Lecture at Musee du Louvre, Paris, film to project brilliant, saturated colors in a complete spectrum of all hues and somewhat different, since overlapping film projections and dyes would produce She was a juror for the Montpellier Festival of Abstract Film and the American Film Institute. Made by fans in Aotearoa New Zealand. each one a certain color. Film data from TMDb. he wanted to make a film without sound in order to affirm the integrity of his Eadweard Muybridge - Is known for photographing people/animals in motion. Oskar Fischinger A later short test (1933) was printed with the Gasparcolor process. Oskar Fischinger originally chose music as a career, studying violin and organ building (for mathematical harmonic theory) before 1914. perhaps not completely, but never filmed); it is likely that the number of actual Palm Desert California, USA Tel (760)834-8183. B/W & tinted, accompanied by various music. The show you referenced in that 2001 article is now called Optical Poetry: Oskar Fischinger Retrospective. Since 2003 its been distributed by Center for Visual Music, in association with Fischinger Archive, to venues worldwide including Lincoln Center. Therefore, in 1935, after receiving a phone call from Paramount Pictures inviting him to work for them in America, Fischinger agreed to go almost immediately. Lo curioso es que lo que Lubitsch haba visto eran un par de publicidades. The Berlin period resulted in Fischingers first music videos. run through the printer only once), whereas with three separate strips of original played several short pieces over a 30-minute period, most keyed to a single Similar virtuosity in editing characterizes R-1: A Form-Play, Oskar Fischinger Welles who kept Fischinger as his personal employee at the Mercury unit despite the wartime injunction against hiring enemy aliens first put him to work planning abstract animation to accompany jazz in a biography of Louis Armstrong to be scored by Duke Ellington; when the story of jazz mutated into the story of samba, after Nelson Rockefeller persuaded Welles to make a film in Brazil, Fischinger apparently adapted his designs to live carnival music recorded by Welles in Rio. Change). Afterwards, Elfriede did return to Berlin and began helping with Oskar's animation projects, along with Oskar's brother Hans, and Elfriede's school chum, Gertrude Gudjongs, filling in charcoal shapes, painting colored forms on paper, and patiently clicking the single frames of the camera after small changes had been made in the artwork. Elfriede died quietly in her sleep at her home in Long Beach on the night of May 13, 1999. Other of his films are in our other traveling programs such as Essential Visual Music screening recently at UCLA Film & TV Archive/Hammer Museum; Pacific Film Archive and many other venues in the US, Europe and Australia. www.centerforvisualmusic.org/Events.htm, And of course you must know about the 2005 Visual Music exhibition at Hirshhorn and MOCA, where Fischinger was the most-featured filmmaker. More Fischinger coming soon in some major museums. Report this film, Review by Santiago Gonzalez Cragnolino , En la dcada del 30 el cine de animacin ya no era una novedad y formaba parte de los programas de muchos cines: al igual que los noticieros, los cortos animados eran proyectados antes de la pelcula principal. But his Spiritual or still movements, however, could be filmed in "real time". imagery. mandala structures. One more may be added if Koloraturen (Coloratura) is counted 26. Studie Nr. Oskar Fischinger - Peyton Wright Gallery Named later by Elfriede Fischinger. designed visual patterns of extreme complexity which often move in hypnotic Suite 365 Van Nuys, CA 91401, Nelly Jelly Continues Global Expansion with Animated Film and Series Plans, How Suzume Reflects the Japanese Culture of Self-Sacrifice and Conformity, Its Part Lion, Part Scorpion, and All VFX in Shazam! 10, 1932, b/w, sound. ! More of the info you have given has changed by this point; one detail is that Center for Visual Music now owns the Fischinger films (gift from the Fischinger Trust). you may be right about creative synaesthesia, The videos of mine youve mentioned are pretty old heres a guide to my recent work: http://www.musanim.com/YouTubeHighlights/. WebAccording to Fischinger historian William Moritz, he devised a machine that would slice very thin layers from a prepared block of wax, with a camera synchronized to take one frame of the remaining surface of the block. 46. devote himself to absolute cinema, which could best combine his skills at music the Gaspar Color process allowed him new venues, since the 1933 film Circles color variations on the same balanced composition of square shapes - an uncanny negative discovered hidden in France. His conceptual breakthrough happened in 1932. That film has golds, yellows, browns. rolling across a landscape and going skiing on toothbrushes. 20. more than 50 patented systems for shooting and printing color movies - in addition He composed An Optical Poem Even when viewing the panels as separate films, one is struck by their dynamic , 210 2829552. and the ad text only appears in the last few frames. since the prints could be prepared in one single pass (the negative and print O my god! Berger ventures into the graphic arts, too, comparing the uncanny likeness of one of Tato Olivas photographs of Spanish flamenco dancer Sara Baras with his own drawing of an iris opening. This may be a Moritz myth from Film Culture? (Many of those earlier FC myths and errors were corrected by him in his 2004 Optical Poetry). and it won the King's prize at the Brussels World Fair in October 1935, which best known for his scientific documentaries, spent three years making a 13-minute relativity; in Study No. 40. 24. According to numerology, Oskar Fischinger's Life Path Number is 2. to the London facilities during the Blitz caused many films to be lost. 28. Studie Nr. Posters are sourced from TMDb and Posteritati, and appear for you and visitors to your profile and content, depending on settings. 1967) Gouache on Paper Board "Circles in Space" Signed and Dated 1962. Kreise (Circles), 1933-34, Gasparcolor, sound. Please seek permission before reproducing; reproducing. Reconstruction by Dr. Moritz and Barbara Fischinger, 1984 Dance, Colour Flight and Musical Poster No. to be seen before the outbreak of World War II. that Gasparcolor prints could be made from any three-color separation negative: [Organic Fragment], 1941 (not filmed by Oskar). The program is grandly titled Kinetica 2: A Centennial Tribute to Oskar Fischinger, and its been grandly put together by the iotaCenter in association with the Film Archive of the Academy of Motion Picture Arts and Sciences and the Fischinger Archive a mouth-filling combo suggesting, like Fischinger himself, a rare fusion of pop culture and high art, with unfashionable crossovers running in both directions. I believe you have our Fischinger DVD; have you seen our Fischinger Research pages? 1933 Kreise Ac vuelve a entrar en nuestro relato Ernst Lubitsch, que vio algunos de los trabajos del artista alemn Oskar Fischinger y le sugiri a Paramount range of subtle and intense color sensations, rivaled only, perhaps, by Technicolor's [Ein Projekt von Oskar Fischinger is one of the greatest artists of the 20th century, embracing the abstraction that became Linz 2009 - Kulturhauptstadt Europas. Elfriede traveled widely, lecturing with Oskar's paintings and films at such venues as the Montreal Expo of 1967, the Berlin Film Festival, Museum of Modern Art in New York, Telluride, and the Venice Biennale 1982, as well as major animation festivals such as Ottawa and Zagreb. correct color. 4, 1930, b/w (lost?) the Eyes [on Oskar Fischinger There are dozens of them related to classical music pieces. Fischinger finished Circles in December 1933 as a commercial for the WebView Oskar W. Fischinger artworks sold at auction to research and compare prices. You immediately assume that either the photographer or the draftsman painstakingly set out to match the other image. Whether they settle any big issues or not, these events are bound to offer the best chance to assess Fischingers work that Chicagoans are ever likely to get. could yield extremely subtle and extremely brilliant color imagery. Awards & Festivals. learn architectural drafting and tool design. Posted by ArtLark on January 31, 2022 in Art | 8 Comments. ', . party, the 1933 Color-Music Congress was well-attended, and an enthusiastic 6, Study Nr. A more successful commercial venture was his great one-minute, black-and-white 1952 singing commercial for Muntz TV sets an endlessly inventive and blossoming explosion of curves, stripes, tonalities, and letters. Allegretto, Early Verson (made at Paramount but not printed in color there); color, sound. Fischinger also prepared a credits sequence for Jane Eyre, produced by Welles, and designed a dream sequence for Langs Secret Beyond the Door, neither of which was used. percussion music) under the title R-1, ein Formspiel (R-1, A Form-Play). of the three-separation negative potential by assigning different live-action Bergner happened to be Elfriede's favorite movie star, and she was dazzled by meeting her in person, but also thrilled by Oskar's short animation. 1; plus three of Fischinger's very first films: Wax Experiments, Spiritual Constructions, He had demonstrated both the three-successive strip system, using three previously-animated black-and-white film strips, assigning of Ruttmann or the static development of graphic intricacies in the work of Oskar Fischinger: the animation wizard who angered Walt Disney which led to a series of 17 Studies. By the time they arrived in America, Oskar was already in poor health, but he tried to go through all the films and label them, though some of the labels were cryptic, and some inadequate (one advertising film had the simple notation "shit"). Online excerpt (silent) on CVM's vimeo channel. She also gave generously of her time and support to things in Los Angeles: hosting many traveling filmmakers and scholars at her home in Laurel Canyon and later Long Beach; supporting Filmex, Theatre Vanguard, The Visual Music Alliance, The Goethe Institute (where she performed on Oskar's Lumigraph color organ); visiting classes at UCLA and Cal Arts; participating in symposiums at the Academy of Motion Picture Arts and Sciences, Long Beach Museum, and Los Angeles County Museum of Art, among others. WebCircles. from a 1926 multiple-projector performance that he had designed for the Farblichtmusik They're sensitive empaths, so they can pick up the emotions of others, and they're generally reserved and kindhearted. posed in successive positions]. Kreise (Circles), 1934, Gasparcolor, sound. since the 1933 film Circles was cleared as an advertising film, although it is essentially abstract imagery and the ad text only appears in the last few frames. Allegretto, Late or 'popular' version, 1943, color, sound (made with the support of The Museum of Non-Objective Painting). She was buried next to her husband in Holy Cross Cemetery in Culver City on May 19, 1999. wizualna muzyka, animacja abstrakcyjna, awangarda KREISE to --1st-- pierwszy film w Europie, w ktrym zastosowano proces separacji kolorw Gasparcolor, ktry Fischinger pomg udoskonali. -Muratti tests did not allow him to continue to work in color once he was there. 8, 1931, b/w, sound. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); This site uses Akismet to reduce spam. The next year he worked as a draftsman in an architect's office, until he too was called to duty. 35. to simulate a range of hues, but not a full spectrum (in the case of orange Oskar Fischingers achievements as an abstract painter stem from his bold experiments as an avant-garde filmmaker. The painter and filmmaker Oskar Fischinger has long been a well-kept secret of the midcentury Southern California modern-art sceneitself a rather well-kept secret of the American art world in general. Gaspar's particular chemistry allowed the three-layered Although Adrian Klein (the technical manager 1 (1947), Composition in Blue (1935), Circles (1933) and Seelische Konstruktionen (1927) She received a Gold Medal from the President of Italy, and lifetime achievement awards from the Royal Academy of the Netherlands, the International animation society ASIFA and Women in Film. best regards,Cindy Keefer forCenter for Visual Music and The Fischinger ArchiveLos Angeles, CAwww.centerforvisualmusic.org. foreshadowing of Josef Albers' later "Hommage to the Square" painting series. Oskar Fischinger The two images had never been placed side by side until now. Animator and painter Oskar Fischinger had borrowed a considerable amount of money from Elfriede's father, who asked her to drop by for a surprise visit to find out if Oskar was really working on worthwhile projects, and not just squandering the borrowed money. synaesthetic color manifestations to parallel his piano compositions. Kreise (Circles), 1934, Gasparcolor, sound. Gasparcolor Ltd. London also acted as agent for these animators, passing on Fischinger Biography Late Berlin Work, 1933-35: Ausstellung, the major art movement of that century, and exploring Lentos Kunstmuseum Linz, 28. awarded to this film at the Venice festival. exposures. Gasparcolor tests, I re-attached the Gasparcolor segments to the end of the I recommend that you check it out. to studio bookkeeping systems. Filmography (c) Fischinger Trust, 2005-15. Orson Welles hired him briefly and paid him cash without listing him in the books, and the Guggenheim foundation gave him very modest stipends, but Elfriede essentially supported their family of 5 children as a fashion designer for Mascot Studios, Susie's Sweaters and Andrea of Beverly Hills, as well as countless jobs baby-sitting, cooking and other household tasks. Fortunately, early in 1936 they were able to emigrate to Hollywood where Oskar, who spoke no English, worked briefly for Paramount (Oskar's short Allegretto), MGM (Oskar's short Optical Poem), and Disney (designs for the Bach episode in Fantasia). His popular book is Oskar Fischinger 1900-1967 - Experiments in Cinematic Abstraction. statement has been widely misinterpreted. Tolirag ad version. 16. Gasparcolor. Euthymol, and wanted a commercial film that could show their product in its Gevaert produced no more Gasparcolor stock for foreign "enemy" countries. Po roku prawa powrciy do Fischingera, ktry zrealizowa cakowicie nieobiektywn wersj tego filmu, bez hasa . 6, 1930, b/w, sound. The close synchronization of these Many thanks for the focus today on Oskar Fischinger and his work, and your continual support. The making of this film was kept secret , EFPIA & , CEO AstraZeneca 8 , . Gaspar. I had a project in mind. fringes of red, green or blue around the edges of the object. system, using some combination of complementary colors, such as orange and blue, Mr. Burmester, An American March, 1941, color, sound (made with the support of The Museum of Non-Objective Painting) corresponding to the traveling mattes that usually would have to be made with When the war began, although they were refugees, had applied for U.S. citizenship and even had children born in America, Oskar and Elfriede were officially designated as "enemy aliens," and Oskar was prohibited from working in any communications industry. Many have judged Gasparcolor the best color film, providing the widest To capsulize, he postulates that (t)he essence of songs is neither vocal nor cerebral but organic.a song borrows existent physical bodies in order to acquire, while its being sung, a body of its own. The articleSome Notes on Songwas authored by John Berger and can be found on pages 64-49. There Fischinger attended a trade school and worked as an apprentice, eventually ob To outline the animation, Fischinger sketched after a graphic-temporal notation of the movement of individual figures across the screen He used a large scroll of graph paper, where the horizontal plane represented the individual frames. depressed by the worsening situation for himself and his Jewish wife, committed His conceptual breakthrough happened in 1932. delicate changes in the clay; finished in March 1939, it hardly had a chance He apprenticed at an organ manufacturing facility and worked as a draftsman for an architect. His spouse is Elfriede Fischinger (19321967; his death). in America suffered comparable difficulties. Fischinger's pioneering experiments in Visual Music and Find out their age in every movie they starred in! Jewanski and Cindy 28 Dec 2017. exposure method filming colored drawings and objects, and the three separate Circles (1933) directed by Oskar Fischinger - Letterboxd The notion of combining music I loved and people I loved was the key to this idle fantasy. as Gone with the Wind and The Wizard of Oz - and other MGM musicals Although modest in scope, this collection showcases key early work by Oskar Fischinger, one of the most popular pioneers in abstract animation. Fischinger filmed each brushstroke over the course of 9 months. into icons suggesting the eye as mandala or the splitting of matter in an Einsteinian Spirals, a series of patched-together experiments in abstract animation by Oskar 2. originally aka Lichtkonzert Nr. 1 (1947), Composition in Blue (1935), Circles (1933) and Seelische Konstruktionen (1927). scratch and dust damage. He also left behind 700 oil and pastel paintings most of them unrelated to his animation though he regarded these canvases as secondary to his filmmaking. 5, 1930, b/w, sound. required him to synchronize a film with a Sousa march in order to demonstrate Tolirag ad version. But that didn't stop Fischinger from making films. During the summer of 1927 he walked Similarly, when screened in New York, Fischingers films influenced future abstract expressionists such as Jackson Pollock. (Rewiev by Dr Kirsten Moana Thompson, The life and Work of Oskar Fischinger by William Moritz, Film Quarterly, Vol. as a pure abstract art film, but could not get a permit from the Nazi censorship in 1934 - which showed spirals of pink toothpaste squeezing out of their tubes, copyright The Elfriede Fischinger Trust, all rights reserved. he was thrilled by the first performance of Walther Ruttmann's Light-Play After Laszlo's 1926 tour of concerts were over, Fischinger Active in avant-garde art circles in Germany between the two world wars, Fischinger and his family would emigrate to Los Angeles just ahead of the Nazis' denunciation of degenerate art. Studie Nr. Many of these processes involved a two-color Quadrate (Squares), 1934, Gasparcolor, silent. 5. Euthymol Ad: Pink Guards On Parade, 1935, Gasparcolor (uncompleted). Oskar Fischinger originally chose music as a career, studying violin and organ building (for mathematical harmonic theory) before 1914. Studie Nr. Whilst working on the project, Fischinger told Cage about his Ornament Ton experiments, and his Buddhist-inspired belief that all things have a sound, even if we do not always listen or hear it, just as a stone has as inherent movement even if it is still. (William Moritz, Optical Poetry, The Life and Work of Oskar Fischinger). 1 (Light-Concert No. German animator, visual artist, and filmmaker who is widely recognized for having created animated sequences set to music decades prior to the advent of computer-generated imagery. vortex assume various colors and textures in response to shapes they pass. (30.48 60.96 cm) Date acquired 2015 Credit however, had simultaneously developed a camera system, while Dr. Gaspar had regime. Painter and animator Oskar Fischinger created dynamic and seminal works of visual music that influenced Walt Disney, Mary Ellen Bute and many became the prime stock for animation art during the next troubled decade. By contrast, most of his early forays into Hollywood studio work were disasters, exacerbated by his inability to speak English and dependence on studio interpreters. Art Chapter 10 Flashcards | Quizlet 2023, Disney Layoffs Reach the Animation and Kids Divisions, Twilight Reboot Series in Development at Lionsgate Television, Watch Miami Design District's Beyond Belief Campaign, Assistant Professor - Animation/Interactive Design or Graphic Design, The University of North Carolina at Charlotte, Visiting Assistant Professor of Graphic Design. produced beautiful color renditions on Gasparcolor stock, and the use of three His oeuvre which is contained in almost 200 cans of nitrate and safety film and includes various experiments and fragments as well as advertising films can be seen as single-minded and varied, rich and monotonous, programmatic and technically innovative. instead of the normal 24 frames-per-second, and each cluster of three frames In each of the Studies he set himself a different visual problem Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. But this is not the case. This meant At the beginning of April 1921, from Munich to Berlin, recording his journey in single-frame exposures -- again 3, 1930, b/w, originally accompanied by sound on record Elfriede Fischinger: Lumigraph Film, c. 1969 (several versions), 16mm, color. She longed to stay in the glamorous capital, but one of the conditions of her schooling was that she spend at least a year's time working in one of the government-sponsored Durer Houses, which sold homemade arts and crafts to help support folk handicraft traditions. negative (which Technicolor used at that time), the print would have to be rewound film, Composition in Blue, using small geometrical models. ActorAgeCheck. Animation drawings and designs for Fantasia, Walt Disney Studio, 1938-1939, Synthetic Sound experiments, 1948 and 1955 (sound only). Born: Fri, Jun 22 1900. 11a flickers of painterly images. 33. He designed the Bach "Tocatta and Fugue" sequence WebKreise (Circles), 1933-34, Gasparcolor, sound. tedious and expensive optical printing. very slowly [One sees such a scene at the beginning of Hans Fischerkoesen's Studie No. William Moritz relays the life of Elfriede Fischinger, wifeof Oskar, who made significant contributions to the preservation of animationhistory. Len Lye's 1936 Birth of the Robot, Rainbow Swiss Trip: Rivers and Landscapes, 1934, b/w, sound. different images on each color filter to make a complex layered composite image, Originally: of video-clips) made them immensely popular with audiences worldwide, but after Fischinger from shooting Squares as he had planned. A later version with sound was assembled by William Moritz/Fischinger Archive, for limited 16mm distribution. which synchronized the camera shutter with a wheel containing three color-filter 6. Artwork Info Artwork title Circles in Circle Artist name Oskar Fischinger Date created 1949 Classification painting Medium oil on Masonite Dimensions 12 24 in. too fast, its difference in displacement in three successive frames would cause [2] POSTSCRIPT: You are located in the British Isles, I believe, so I wonder how ready an access you have to Harpers Magazine. Technicolor, Berlin International Film Festival. none. To view the mesmerising art of Oskar Fischinger is to hear it, and to listen to one of his films is to see it. Online excerpt at CVM's vimeo channel. 2, c.1930, b/w, originally accompanied by sound on record I also much enjoy the job done on Bachs Toccata and Fugue in D Minor. 1, 1947, color, sound (made with the support of The Museum of Non-Objective Painting) On the 31st of January 1967, Oskar Fischinger died in Los Angeles, California. A separate program, Legacy, devoted to the work of animators whove followed in Fischingers footsteps, will be offered at 7 PM in Cobb Halls Film Studies Center. 3, BWV 1048. [The video] was shot using stop motion animation; dozens of individual paper cutouts of geometric shapes were arranged on the shooting stage and then repositioned after each frame of film was exposed. (Farb-Ton-Kongress) at the University of Hamburg in the fall of 1933. In Passing Elfriede Fischinger toward a three-color system, and the most distinguished of these systems, Gasparcolor, theory) before 1914. Oskar Fischinger loyalty to America [4], and then Elfriede Fischinger was born September 17, 1910 in Gelnhausen (near Frankfurt), Germany. Supervised by Oskar; drawn by Hans Fischinger. Thats a few of the recent activities, enough for nowmany more coming up including some installations of the early multiple projector films. Life path 2s are peacekeepers who aim to achieve balance, specifically when it comes to their relationships. 27. And for some major corrections and more up-to-the-minute additions, see the letter from Cindy Keefer that Ive added to the end of this piece. Help/About; Oskar Fischinger. and desire to emigrate. Oskar Fischinger has 1 sibling in His family: Hans Fischinger. story Ali Baba and the Forty Thieves. segments that would rotate to make the three successive cyan/yellow/magenta Dynamics which breathes slow pulsating rhythms and astonishing single-frame which synchronized the camera shutter with a wheel containing three color-filter Fragments. The Guggenheim Foundation special effects of rockets, starscapes and planet surfaces for Fritz Lang's The curved lines and straight lines in the example specify a few of the many movements across the screen of the paper cutouts. (Richard H. Brown, The Spirit inside Each Object: John Cage, Oskar Fischinger, and The Future of Music). Since Fischinger used the actual tinted film-strips from R-1 for his exposures. On the 31st of January 1967, Oskar Fischinger died in Los Angeles, California. including the 1934 puppet Sleeping Beauty and the dazzling 1935 Top 8. music as a career, studying violin and organ building (for mathematical harmonic *. Numerous unshot animation drawings and Pencil Tests; numerous fragments and tests, particularly from the Frankfurt and Munich years. Special effects for Sinflut, 1927 (some of these fragments and tests can be seen on the Oskar Fischinger: Ten Films DVD). He was hired to make Elfriede Fischinger was born September 17, 1910 in Gelnhausen (near Frankfurt), Germany. However we do have the original paper cutout circles, and The Fischinger Archive has the backgrounds, as well as a few of Fischingers prints, and thus we can absolutely verify that the colors on the Unseen Cinema DVD are completely wrong, the pinks and blues seen there are incorrect.
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